{"id":35906,"date":"1982-04-01T10:28:00","date_gmt":"1982-04-01T18:28:00","guid":{"rendered":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/?p=35906"},"modified":"2026-03-20T20:59:20","modified_gmt":"2026-03-21T03:59:20","slug":"willow-springs-10","status":"publish","type":"post","link":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/willow-springs-10\/","title":{"rendered":"Willow Springs 10"},"content":{"rendered":"
\n
\n
\n
\n\n

Willow Springs 10<\/h2>\n\n\n\n

Spring 1982<\/h2>\n\n<\/div><\/div>\n<\/div>\n<\/div>\n\n
\n
\n
\n
\n\n

Poetry<\/h2>\n\n\n
\n\n

KAY BOYLE<\/strong><\/strong><\/strong><\/p>\n\n\n\n

Selections of A Poem in Progress<\/h6>\n\n<\/div>\n\n
\n\n

RICHARD DAUENHAUER<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Mother Makeyeva<\/h6>\n\n<\/div>\n\n
\n\n

GERALD DAWE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Atlantic Circle
Postcard for Michael<\/h6>\n\n<\/div>\n\n
\n\n

DESMOND EGAN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Ground Zero<\/h6>\n\n<\/div>\n\n
\n\n

DAVID EMMONS<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Hold Out
From Connecticut <\/h6>\n\n<\/div>\n\n
\n\n

FAIZ AHMED FAIZ<\/strong><\/a><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

#1<\/a>
#2<\/a>
#3<\/a>
 My Visitors <\/a>
In Your Eyes and Mine <\/a>
The Flowers Have Gone to Seed<\/a><\/h6>\n\n<\/div>\n\n
\n\n

NATALYA GORBANYEVSKAYA<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

In the Mad House<\/h6>\n\n<\/div>\n\n
\n\n

SAM HAMILL<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Ode & Lamentation
To Aphrodite, Naked in the Snow<\/h6>\n\n<\/div>\n\n
\n\n

G. KAGANOVSKY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

In Memory of Yury Galanskov<\/h6>\n\n<\/div>\n\n
\n\n

PAT LAMORTE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Directions for Getting to Our House
How They Tell It in Damascus<\/h6>\n\n<\/div>\n\n
\n\n

ANTONIO MACHADO<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

III 
IV
V
X
XI<\/h6>\n\n<\/div>\n\n
\n\n

TIM MCNULTY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Love Charm<\/h6>\n\n<\/div>\n\n
\n\n

JOHN MONTAGUE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

A Human Smile<\/h6>\n\n<\/div>\n\n
\n\n

HELGA NOVAK<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Letter to Koladoghbe  
changes of season 
punishment put in perspective
ballad of travelling Anna<\/h6>\n\n<\/div>\n\n
\n\n

PETER ORESICK<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

How My Brother Came To Love Lenin<\/h6>\n\n<\/div>\n\n
\n\n

BORIS PASTERNAK<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Sparrow Hills
In the Forest
Winter Night
After the Break<\/h6>\n\n<\/div>\n\n
\n\n

GEORGE TRAKL<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Birth
Melancholy
Evening Song
The Heart
The Beautiful City<\/h6>\n\n<\/div>\n\n
\n\n

MARTY WALSH<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Hermit<\/h6>\n\n<\/div>\n\n\n

Fiction<\/h2>\n\n\n
\n\n

LANA EIDSNES<\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Young Man and the Older Woman<\/h6>\n\n<\/div>\n\n\n

Nonfiction<\/h2>\n\n\n
\n\n

KAY BOYLE<\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Uneasiness of Autobiography<\/h6>\n\n<\/div>\n\n
\n\n

JAMES J. MCAULEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Notions: Toward the Redefinition of Irish Culture Or Circling Round an Obsession<\/h6>\n\n<\/div>\n<\/div><\/div>\n\n
\n\n
\"Willow<\/figure>\n\n\n\n

Willow Springs<\/em> 10 features poetry and prose by Lana Eidsnes, Boris Pasternak, Faiz Ahmed Faiz, Richard Dauenhauer, James J. McAuley and more.<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Order Issue 10<\/a><\/h4>\n\n\n
\n\nBuy Now!<\/a>\n\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":9086,"featured_media":963,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wpo365_audiences":[],"wpo365_private":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-35906","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-back-issues"],"_links":{"self":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35906"}],"collection":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/users\/9086"}],"replies":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/comments?post=35906"}],"version-history":[{"count":3,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35906\/revisions"}],"predecessor-version":[{"id":39510,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35906\/revisions\/39510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media\/963"}],"wp:attachment":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media?parent=35906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/categories?post=35906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/tags?post=35906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}