{"id":35883,"date":"1986-07-01T10:28:00","date_gmt":"1986-07-01T17:28:00","guid":{"rendered":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/?p=35883"},"modified":"2026-03-20T20:56:31","modified_gmt":"2026-03-21T03:56:31","slug":"willow-springs-18","status":"publish","type":"post","link":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/willow-springs-18\/","title":{"rendered":"Willow Springs 18"},"content":{"rendered":"
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Willow Springs 18<\/h2>\n\n\n\n

Summer 1986<\/h2>\n\n<\/div><\/div>\n<\/div>\n<\/div>\n\n
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Poetry<\/h2>\n\n\n
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DAVID AXELROD<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Regarding a Nude on Diamond Mountain<\/h6>\n\n<\/div>\n\n
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PHILLIP EATON<\/strong><\/p>\n\n\n\n

Winter Day
This Dead of Winter
After a Thousand Children<\/h6>\n\n<\/div>\n\n
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PATRICIA GOEDICKE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Last Mornings<\/h6>\n\n<\/div>\n\n
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MICHAEL HANNON<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Clouds & Rivers<\/h6>\n\n<\/div>\n\n
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JAAN KAPLINSKI<\/strong><\/strong><\/p>\n\n\n\n

Once I got a postcard
I could have said: 
It gets cold in the evening
Elder-trees that thrushes have sown<\/h6>\n\n<\/div>\n\n
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WALTER MCDONALD<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Midnight Near Pecos
The Fears of Horses 
Living On Open Plains<\/h6>\n\n<\/div>\n\n
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LISEL MUELLER<\/strong><\/strong><\/strong><\/strong><\/strong><\/h6>\n\n\n\n
The Exhibit
The Stones of Chile \u2013 Excerpts  (translated by Dennis Maloney)<\/h6>\n\n<\/div>\n\n
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STEVEN E. PUGLISI<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h6>\n\n\n\n
Words for Benjamin<\/h6>\n\n<\/div>\n\n
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MARNIE PURPLE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h6>\n\n\n\n
On the Flood Plain
if the sun were not your mistress<\/h6>\n\n<\/div>\n\n
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CARLOS REYES<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h6>\n\n\n\n
Islands
Field Burning<\/h6>\n\n<\/div>\n\n
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NANCE VAN WINCKEL<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h6>\n\n\n\n
In the Fifth Season<\/h6>\n\n<\/div>\n\n
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STEVEN WHITE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h6>\n\n\n\n
Stumbling Home Past Curfew in Santiago Chile<\/h6>\n\n<\/div>\n\n\n

Fiction<\/h2>\n\n\n
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VIRGINIA BUSSKOHL<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

A Candle for Michael<\/h6>\n\n<\/div>\n\n
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HAN-PING CHIN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

No Place for Junets<\/h6>\n\n<\/div>\n\n
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ANITA ENDREZZE-DANIELSON<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Fox-Woman Goes Man-Hunting <\/h6>\n\n<\/div>\n\n
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GARY EBERLE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Origami or the Sadness of Paper Birds <\/h6>\n\n<\/div>\n\n
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VINCENT PASSARO<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Silent Work<\/h6>\n\n<\/div>\n<\/div><\/div>\n\n
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\"Willow<\/figure>\n\n\n\n

Willow Springs<\/em> 18 features poetry, prose, and translation by David Axelrod, Nance Van Winckel, Han-ping Chin, Jaan Kaplinski, and more.<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Order Issue 18<\/a><\/h4>\n\n\n
\n\nBuy Now!<\/a>\n\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":9086,"featured_media":996,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wpo365_audiences":[],"wpo365_private":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-35883","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-back-issues"],"_links":{"self":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35883"}],"collection":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/users\/9086"}],"replies":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/comments?post=35883"}],"version-history":[{"count":4,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35883\/revisions"}],"predecessor-version":[{"id":39502,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35883\/revisions\/39502"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media\/996"}],"wp:attachment":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media?parent=35883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/categories?post=35883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/tags?post=35883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}