{"id":35834,"date":"1994-06-01T10:28:00","date_gmt":"1994-06-01T17:28:00","guid":{"rendered":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/?p=35834"},"modified":"2026-03-20T20:50:55","modified_gmt":"2026-03-21T03:50:55","slug":"willow-springs-34","status":"publish","type":"post","link":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/willow-springs-34\/","title":{"rendered":"Willow Springs 34"},"content":{"rendered":"
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Willow Springs 34<\/h2>\n\n\n\n

Summer 1994<\/h2>\n\n<\/div><\/div>\n<\/div>\n<\/div>\n\n
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Poetry<\/h2>\n\n\n
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RICK ALLEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Cleaning
With Gratitude, In-Depth & Sweet<\/h6>\n\n<\/div>\n\n
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A. MANETTE ANSAY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Ponies<\/h6>\n\n<\/div>\n\n
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SHANNON BORG<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

One Version of a Summer Night<\/h6>\n\n<\/div>\n\n
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MICHAEL CADNUM<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Anatomy of an Eye<\/h6>\n\n<\/div>\n\n
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NICOLE COOLEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Alice in Paradise
Good Friday<\/h6>\n\n<\/div>\n\n
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CAROLINE FINKELSTEIN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

1950
The Rescue<\/h6>\n\n<\/div>\n\n
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JAMES GRABILL<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h6>\n\n\n\n
Suddenly Tonight I am Listening<\/h6>\n\n<\/div>\n\n
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ALVIN GREENBERG<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Pleurisy<\/h6>\n\n<\/div>\n\n
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NELSON HOLLAND<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Mind\u2019s Eye
Night and Day
Slight of Hands<\/h6>\n\n<\/div>\n\n
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LAURA KASISCHKE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

45
Black Bear Paw $20<\/h6>\n\n<\/div>\n\n
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RUSSEL KESLER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

On the Bus<\/h6>\n\n<\/div>\n\n
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WILLIAM KLOEFKORN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Thinking More, Talking Less<\/h6>\n\n<\/div>\n\n
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RUTH ELLEN KOCHER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Sestina Mouths the Object, the Word<\/h6>\n\n<\/div>\n\n
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LANCE OLSEN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Stories<\/h6>\n\n<\/div>\n\n
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JAY SCHNEIDERS<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Bay of Pigs<\/h6>\n\n<\/div>\n\n
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WILLIAM VIANT<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

No Evil<\/h6>\n\n<\/div>\n\n\n

Fiction<\/h2>\n\n\n
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JANE MARTIN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Belmar<\/h6>\n\n<\/div>\n\n
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CHARLES ROSE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Complicity<\/h6>\n\n<\/div>\n\n\n

Review<\/h2>\n\n\n
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ELIZABETH OAKES<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

In Anticipation of Accompaniment: The Solo Voice in the Wide World<\/h6>\n\n<\/div>\n\n\n

Art<\/h2>\n\n\n
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SUSANNE BANNERSTORM<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Oil Paintings<\/h6>\n\n<\/div>\n\n\n

Translation<\/h2>\n\n\n
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FRANCIS JAMMES <\/strong>(translated by TOM HIBBARD<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Wedding Day<\/h6>\n\n<\/div>\n\n
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PIERRE REVERDY<\/strong> (translated by TOM HIBBARD<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Clandestine Passage<\/h6>\n\n<\/div>\n\n
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GUILLAUME APPOLLINAIRE <\/strong>(translated by DONALD REVELL<\/strong>)<\/strong><\/strong><\/p>\n\n\n\n

The Wind by Night
and Marie<\/h6>\n\n<\/div>\n<\/div><\/div>\n\n
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\"Willow<\/figure>\n\n\n\n

Willow Springs<\/em> 34 features poetry, prose, and translation by Nelson Holland, Caroline Finkelstein, Charles Rose, Elizabeth Oakes, and more, and art from Susan Bannerstrom.<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Order Issue 34<\/a><\/h4>\n\n\n
\n\nBuy Now!<\/a>\n\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":9086,"featured_media":1189,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wpo365_audiences":[],"wpo365_private":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-35834","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-back-issues"],"_links":{"self":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35834"}],"collection":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/users\/9086"}],"replies":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/comments?post=35834"}],"version-history":[{"count":8,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35834\/revisions"}],"predecessor-version":[{"id":39486,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35834\/revisions\/39486"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media\/1189"}],"wp:attachment":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media?parent=35834"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/categories?post=35834"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/tags?post=35834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}