{"id":35829,"date":"1995-06-01T10:28:00","date_gmt":"1995-06-01T17:28:00","guid":{"rendered":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/?p=35829"},"modified":"2026-03-20T20:49:11","modified_gmt":"2026-03-21T03:49:11","slug":"willow-springs-36","status":"publish","type":"post","link":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/willow-springs-36\/","title":{"rendered":"Willow Springs 36"},"content":{"rendered":"
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Willow Springs 36<\/h2>\n\n\n\n

June 1995<\/h2>\n\n<\/div><\/div>\n<\/div>\n<\/div>\n\n
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Poetry<\/h2>\n\n\n
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JAY LADIN<\/strong><\/p>\n\n\n\n

Arkansas<\/h6>\n\n<\/div>\n\n
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MARK IRWIN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Window  
Vines<\/h6>\n\n<\/div>\n\n
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JAMES WILLIAMS<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Sleep
Matriarchs<\/h6>\n\n<\/div>\n\n
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SUZANNE PAOLA<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Driftwood Beach: Theme & Variations<\/h6>\n\n<\/div>\n\n
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ANTHONY SOBIN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Another Birthday: Sending the Angel Ahead<\/h6>\n\n<\/div>\n\n
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TONY HOFER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Grandfather Escapes Into a Sparrow<\/h6>\n\n<\/div>\n\n
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THEODORA TODD<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h6>\n\n\n\n
We are on the Ferry Again<\/h6>\n\n<\/div>\n\n
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REGINALD SHEPHERD<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Vampires<\/h6>\n\n<\/div>\n\n
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JACK MYERS<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

self to Self
Possessed
Keepers of the Past<\/h6>\n\n<\/div>\n\n
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JOHN WHALEN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Radio<\/h6>\n\n<\/div>\n\n
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JOUL BROUWER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

May Day, 1921, In the Town of Vitebsk<\/h6>\n\n<\/div>\n\n
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JAY MEEK<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Jars<\/h6>\n\n<\/div>\n\n
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SHELIA NICKERSON<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Evensong<\/h6>\n\n<\/div>\n\n\n

Fiction<\/h2>\n\n\n
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BRAD BARKLEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Clown Alley<\/h6>\n\n<\/div>\n\n\n

Poetry in Translation<\/h2>\n\n\n
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GRZEGROZ MUSIAL<\/strong> (translated by LIA PURPURA<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Untitled 
All Souls\u2019 Day on the Bay 
Death in Berlin
Charlottenburg-the Park Scenes
Untitled<\/h6>\n\n<\/div>\n\n
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LIA PURPURA<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Where Language Lives: Notes on Translation (Essay)<\/h6>\n\n<\/div>\n\n
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BLAGA DIMITROVA <\/strong>(translated by JOHN BALABAN <\/strong>and ELENA HRISTOVA<\/strong>)<\/p>\n\n\n\n

Who Takes Care of the Blind Stork?
Lullaby For My Mother<\/h6>\n\n<\/div>\n\n
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SWEGEY GANDLEVSKY <\/strong>(translated by PHILLIP METRES<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Untitled<\/h6>\n\n<\/div>\n\n
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VINCIUS DE MORAES <\/strong>(translated by THOMAS DORSETT <\/strong>and MOYSES PURISCH<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Dead Can Sonnet<\/h6>\n\n<\/div>\n\n
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INGEBORG BACHMANN <\/strong>(translated by THOMAS DORSETT<\/strong>)<\/p>\n\n\n\n

Paris<\/h6>\n\n<\/div>\n\n
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Translations by SAM HAMILL<\/strong><\/p>\n\n\n\n

Five Haiku from the Japanese<\/h6>\n\n<\/div>\n\n
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SU DONG-PO <\/strong>(translated by YUN WANG<\/strong>)<\/p>\n\n\n\n

He Xin Lang (To the Bridegroom)<\/h6>\n\n<\/div>\n\n
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PABLO NERUDA<\/strong> (translated by NANCY ANCROM<\/strong>)<\/p>\n\n\n\n

Hymn and Return<\/h6>\n\n<\/div>\n\n
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HAN SHAN <\/strong>(translated by PETER STAMBLER<\/strong>)<\/p>\n\n\n\n

Judging a Scroll by its Ribbons<\/h6>\n\n<\/div>\n\n
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YANNIS RITSOS <\/strong>(translated by MARTIN MCKINSEY<\/strong>)<\/p>\n\n\n\n

Selections from Ticks of the Clock<\/h6>\n\n<\/div>\n\n
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SA\u2019ADI YOUSSEF <\/strong>(translated by KHALED MATTAWA<\/strong>)<\/p>\n\n\n\n

On the Red Sea<\/h6>\n\n<\/div>\n\n
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HASIM SHAFIQ <\/strong>(translated by KHALED MATTAWA<\/strong>)   <\/p>\n\n\n\n

The First House <\/h6>\n\n<\/div>\n\n
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JULES SUPERVIELLE<\/strong> (translated by GEOFFREY GARDNER<\/strong>)   <\/p>\n\n\n\n

Untitled <\/h6>\n\n<\/div>\n\n
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PHILIPPE SOUPAULT<\/strong> (translated by TOM HIBBARD<\/strong>)<\/p>\n\n\n\n

Little Daily Phantoms<\/h6>\n\n<\/div>\n\n
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OSCAR VLADISLAS DE LUBICZ MILOSZ<\/strong> (translated by TOD MARSHALL<\/strong>)  <\/p>\n\n\n\n

Autumn Song 
The Bridge<\/h6>\n\n<\/div>\n\n
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LUCRETIUS<\/strong> (Translated by JONATHHAN SPIEGEL<\/strong> and JEAN BERRETT<\/strong>)<\/p>\n\n\n\n

from De Rerum Natura, Book II<\/h6>\n\n<\/div>\n\n\n

Vachel Lindsay Poetry Award<\/h2>\n\n\n
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MARRY ANN SAMYN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Omitting the Heart<\/h6>\n\n<\/div>\n\n\n

Essay<\/h2>\n\n\n
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TOD MARSHALL<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Our Daily Bread: Some Thoughts on Simone Weil<\/h6>\n\n<\/div>\n\n\n

Willow Springs Fiction Award<\/h2>\n\n\n
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ROBERT HENRY BENNETT<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Outside Sylvie City<\/h6>\n\n<\/div>\n<\/div><\/div>\n\n
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Willow Springs<\/em> 36 features poetry, prose, and translation by Jay Ladin, Mark Irwin, Brad Barkley, Jack Myers, and more. The issue also includes Mary Ann Samyn\u2019s \u201cOmitting the Heart,\u201d winner of the 1995 Vachel Lindsay Poetry Award, Robert Harry Bennett\u2019s \u201cOutside Sylvie City,\u201d winner of the 1995 Willow Springs Fiction Award.<\/strong><\/p>\n\n\n\n

Order Issue 36<\/a><\/h4>\n\n\n
\n\nBuy Now!<\/a>\n\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":9086,"featured_media":1197,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wpo365_audiences":[],"wpo365_private":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-35829","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-back-issues"],"_links":{"self":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35829"}],"collection":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/users\/9086"}],"replies":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/comments?post=35829"}],"version-history":[{"count":3,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35829\/revisions"}],"predecessor-version":[{"id":39484,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35829\/revisions\/39484"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media\/1197"}],"wp:attachment":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media?parent=35829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/categories?post=35829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/tags?post=35829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}