{"id":35818,"date":"1996-06-01T10:28:00","date_gmt":"1996-06-01T17:28:00","guid":{"rendered":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/?p=35818"},"modified":"2026-03-20T20:48:32","modified_gmt":"2026-03-21T03:48:32","slug":"willow-springs-38","status":"publish","type":"post","link":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/willow-springs-38\/","title":{"rendered":"Willow Springs 38"},"content":{"rendered":"
\n
\n
\n
\n\n

Willow Springs 38<\/h2>\n\n\n\n

June 1996<\/h2>\n\n<\/div><\/div>\n<\/div>\n<\/div>\n\n
\n
\n
\n
\n\n

Poetry<\/h2>\n\n\n
\n\n

JOHN HAINES<\/strong><\/p>\n\n\n\n

Picture for a Breakfast Room 
Similitude<\/h6>\n\n<\/div>\n\n
\n\n

HUGH OGDEN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Interval<\/h6>\n\n<\/div>\n\n
\n\n

MICHAEL STEIN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Gothic Woods<\/h6>\n\n<\/div>\n\n
\n\n

ELIZABETH MCLAGAN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Worked Loose by Wind
Winter Stars in a Summer Sunrise<\/h6>\n\n<\/div>\n\n
\n\n

JOSEPH GREEN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Catch<\/h6>\n\n<\/div>\n\n
\n\n

J. CAILIN OAKES<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Baseball
Flag<\/h6>\n\n<\/div>\n\n
\n\n
CHRIS KENNEDY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h6>\n\n\n\n
No Wonder<\/h6>\n\n<\/div>\n\n
\n\n

LESLEY DAUER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Home<\/h6>\n\n<\/div>\n\n
\n\n

CHRISTOPHER HOWELL<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Approaching the Blind Date\u2019s Door
Everything<\/h6>\n\n<\/div>\n\n
\n\n

CARLOS REYES<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Straw Man<\/h6>\n\n<\/div>\n\n
\n\n

BRUCE GUERNSEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Sculptor<\/h6>\n\n<\/div>\n\n
\n\n

SUE WHEELER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Nonsense<\/h6>\n\n<\/div>\n\n
\n\n

RICK ALLEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

I Could Say the Mayfly\u2019s
The Fish Breaking<\/h6>\n\n<\/div>\n\n
\n\n

PATRICIA HENLEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Mining for Clarity<\/h6>\n\n<\/div>\n\n
\n\n

MARK IRWIN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Flame<\/h6>\n\n<\/div>\n\n
\n\n

JOSHUA MCKINNEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Traces
Metaphysical<\/h6>\n\n<\/div>\n\n
\n\n

ALBERT GOLDBARTH<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Three Days: Three Sections
Next
Some Secret<\/h6>\n\n<\/div>\n\n
\n\n

DOUG MARX<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Letters to Han-Shan
To the Skull above my Bookshelf<\/h6>\n\n<\/div>\n\n
\n\n

ROBERT CLINTON<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Giantess<\/h6>\n\n<\/div>\n\n
\n\n

ROBERT HACKETT<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

My Morning Tour as a Pharaoh 
Almost Cider Time  <\/h6>\n\n<\/div>\n\n
\n\n

WALTER BARGEN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Invention of Flight<\/h6>\n\n<\/div>\n\n
\n\n

KEVIN MILLER<\/strong><\/p>\n\n\n\n

Four Promises <\/h6>\n\n<\/div>\n\n
\n\n

ROBERT HILL LONG<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

How Forgetting Words in Late Winter<\/h6>\n\n<\/div>\n\n\n

Fiction<\/h2>\n\n\n
\n\n

JONATHAN JOHNSON<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Driving Plow<\/h6>\n\n<\/div>\n\n\n

Poetry in Translation<\/h2>\n\n\n
\n\n

SERGEY GANDLEVSKY <\/strong>(translated by PHILLIP METRES<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Elegy  <\/h6>\n\n<\/div>\n\n
\n\n

THOMAS BERNHARD<\/strong> (translated by JAMES REIDEL<\/strong>) <\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Come under the tree, there the dead 
The night crumples on gates in old walls  <\/h6>\n\n<\/div>\n\n
\n\n

INGEBORG BACHMANN<\/strong> (translated by JAMES REIDEL<\/strong>)<\/p>\n\n\n\n

One kind of loss <\/h6>\n\n<\/div>\n\n
\n\n

PHILLIPE JACCOTTET<\/strong> (translated by AMY LEMMON<\/strong>) <\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Secret <\/h6>\n\n<\/div>\n\n
\n\n

DANTE ALIGHIERI<\/strong> (translated by SETH ZIMMERMAN<\/strong>) <\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Inferno: Canto V <\/h6>\n\n<\/div>\n\n
\n\n

RAINER MARIA RILKE<\/strong> (translated by STEVEN LAUTERMILCH<\/strong>)<\/p>\n\n\n\n

Postmark: Ragaz, 24 August 1926<\/h6>\n\n<\/div>\n\n\n

Vachel Lindsay Poetry Award<\/h2>\n\n\n
\n\n

MARGARET LLOYD<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Red Dress<\/h6>\n\n<\/div>\n\n\n

Willow Springs Poetry Award<\/h2>\n\n\n
\n\n

GWYN MCVAY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

In the Dirt<\/h6>\n\n<\/div>\n\n\n

Willow Springs Fiction Award<\/h2>\n\n\n
\n\n

ALLISON GREEN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Half-Moon Scar<\/h6>\n\n<\/div>\n<\/div><\/div>\n\n
\n\n
\"Willow<\/figure>\n\n\n\n

Willow Springs<\/em> 38 features poetry, prose, and translation by Christopher Howell, Jonathan Johnson, Joshua McKinney, and more. The issue also includes Margaret Lloyd\u2019s \u201cRed Dress,\u201d winner of the 1996 Vachel Lindsay Poetry Award, Gwyn McVay\u2019s \u201cIn the Dirt,\u201d winner of the 1996 Willow Springs Poetry Award, Allison Green\u2019s \u201cHalf-Moon Scar,\u201d winner of the 1996 Willow Springs Fiction Award, and an interview with Christopher Howell.<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Order Issue 38<\/a><\/h4>\n\n\n
\n\nBuy Now!<\/a>\n\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":9086,"featured_media":1205,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wpo365_audiences":[],"wpo365_private":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-35818","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-back-issues"],"_links":{"self":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35818"}],"collection":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/users\/9086"}],"replies":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/comments?post=35818"}],"version-history":[{"count":4,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35818\/revisions"}],"predecessor-version":[{"id":39482,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35818\/revisions\/39482"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media\/1205"}],"wp:attachment":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media?parent=35818"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/categories?post=35818"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/tags?post=35818"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}