{"id":35814,"date":"1997-06-01T10:28:00","date_gmt":"1997-06-01T17:28:00","guid":{"rendered":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/?p=35814"},"modified":"2026-03-20T20:47:56","modified_gmt":"2026-03-21T03:47:56","slug":"willow-springs-40","status":"publish","type":"post","link":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/willow-springs-40\/","title":{"rendered":"Willow Springs 40"},"content":{"rendered":"
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Willow Springs 40<\/h2>\n\n\n\n

June 1997<\/h2>\n\n<\/div><\/div>\n<\/div>\n<\/div>\n\n
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Poetry<\/h2>\n\n\n
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TIMOTHY KELLY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

At Pacific Rim
Two on a Shaman\u2019s Rattle, Tlingit, UBC Museum of ManTwo on a Shaman\u2019s Rattle, Tlingit,
UBC Museum of Man<\/h6>\n\n<\/div>\n\n
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ANDREA WERBLIN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Saints in the Hedges<\/h6>\n\n<\/div>\n\n
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ELISABETH MURAWSKI<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

She Looks Everywhere
The Audience<\/h6>\n\n<\/div>\n\n
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PETER SEARS<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Men and Fat  
Shoveling Snow While It Is Still Snowing
We Talk About You, Death<\/h6>\n\n<\/div>\n\n
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AMY NEWMAN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Sophistry of the Quince Fruit
September<\/h6>\n\n<\/div>\n\n
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JACK MARTIN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Pinochle<\/h6>\n\n<\/div>\n\n
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JAMES HAUG<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Peace<\/h6>\n\n<\/div>\n\n
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SUSANNE KORT<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

As I Recollect the July You<\/h6>\n\n<\/div>\n\n
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JOHN GREY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Martha\u2019s Story<\/h6>\n\n<\/div>\n\n
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TONY GARDNER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Restorative Art<\/h6>\n\n<\/div>\n\n
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MICHAEL HEFFERNAN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Heart
Fallen Jerusalem
Dryad
Catch Me<\/h6>\n\n<\/div>\n\n
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REX WEST<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

How Cubism Met the Modern World<\/h6>\n\n<\/div>\n\n
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CINDY BOSLEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Patience of God<\/h6>\n\n<\/div>\n\n
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MARK BABBINS<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Coelacanth<\/h6>\n\n<\/div>\n\n
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STEPHEN R. ROBERTS<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

On Swimming Pool Maintenance<\/h6>\n\n<\/div>\n\n
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LINDA LEE HARPER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Small Factory<\/h6>\n\n<\/div>\n\n
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THOMAS REITER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Delivery<\/h6>\n\n<\/div>\n\n
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S. RAMNATH<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Excellent Leisure<\/h6>\n\n<\/div>\n\n
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RON MCFARLAND<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Sixteen
On the Way to Pierce<\/h6>\n\n<\/div>\n\n
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WILLIAM TREMBLAY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Juniper
The Sagebrush Hours<\/h6>\n\n<\/div>\n\n
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CHASE TWICHELL<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Minor Problems
Sanctuary<\/h6>\n\n<\/div>\n\n
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STEPHEN AJAY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Memory of Spring in Bali  
The Morning Green with Birds    <\/h6>\n\n<\/div>\n\n
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LEN ROBERTS<\/strong><\/span><\/strong><\/p>\n\n\n\n

Double Yolk
April Storm, Olmstead Street Garden   <\/h6>\n\n<\/div>\n\n
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JESSICA HENRICKSEN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Virginia in the River
Storm<\/h6>\n\n<\/div>\n\n
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ELIZABETH MCLAGAN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The House Let Go To Sky<\/h6>\n\n<\/div>\n\n\n

Fiction<\/h2>\n\n\n
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JOHN WORKS<\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

3800 Monterrey<\/h6>\n\n<\/div>\n\n
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ALAN VANNEMAN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Living in the Year of Our Lord 1959, AD<\/h6>\n\n<\/div>\n\n\n

Poetry in Translation<\/h2>\n\n\n
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P. KOBYLARZ <\/strong>(translated by MONIQUE MANOPOULOS<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

the ocularist<\/h6>\n\n<\/div>\n\n\n

Willow Springs Poetry Award<\/h2>\n\n\n
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B. T. SHAW<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

No. 2 Venus<\/h6>\n\n<\/div>\n\n\n

Willow Springs Fiction Award<\/h2>\n\n\n
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DORIAN GOSSY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Florida Postcards<\/h6>\n\n<\/div>\n\n\n

AWP Intro Award Winners<\/h2>\n\n\n
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BRENDA MILLER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Needlepoint<\/h6>\n\n<\/div>\n\n
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CATHERINE MENG<\/span><\/strong><\/p>\n\n\n\n

Cranes   <\/h6>\n\n<\/div>\n\n
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JENIFER WILOUGHBY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Pretty  <\/h6>\n\n<\/div>\n\n
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LISA BESTEIN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Death of Sade<\/h6>\n\n<\/div>\n\n
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DEBRA LASER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Blue Bowl  <\/h6>\n\n<\/div>\n\n
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ANDER MONSON<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Siding<\/h6>\n\n<\/div>\n\n
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NEIL THORNTON<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

On the Wrong End of a Cow with a Shovel in My Hand<\/h6>\n\n<\/div>\n<\/div><\/div>\n\n
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\"Willow<\/figure>\n\n\n\n

Willow Springs<\/em> 40 features poetry, prose, and translation by Chase Twichell, Ron McFarland, Michael Heffernan, Peter Sears, and more. The issue also includes B. T. Shaw\u2019s \u201cNo. 2 Venus,\u201d winner of the 1997 Willow Springs Poetry Prize and Dorian Gossy\u2019s \u201cFlorida Postcards,\u201d winner of the 1997 Willow Springs Fiction Prize.<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Order Issue 40<\/a><\/h4>\n\n\n
\n\nBuy Now!<\/a>\n\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":9086,"featured_media":1152,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wpo365_audiences":[],"wpo365_private":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-35814","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-back-issues"],"_links":{"self":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35814"}],"collection":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/users\/9086"}],"replies":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/comments?post=35814"}],"version-history":[{"count":5,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35814\/revisions"}],"predecessor-version":[{"id":39480,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35814\/revisions\/39480"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media\/1152"}],"wp:attachment":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media?parent=35814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/categories?post=35814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/tags?post=35814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}