{"id":35812,"date":"1998-01-01T10:28:00","date_gmt":"1998-01-01T18:28:00","guid":{"rendered":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/?p=35812"},"modified":"2026-03-20T20:47:38","modified_gmt":"2026-03-21T03:47:38","slug":"willow-springs-41","status":"publish","type":"post","link":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/willow-springs-41\/","title":{"rendered":"Willow Springs 41"},"content":{"rendered":"
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Willow Springs 41<\/h2>\n\n\n\n

January 1998<\/h2>\n\n<\/div><\/div>\n<\/div>\n<\/div>\n\n
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Poetry<\/h2>\n\n\n
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LOUIS JENKINS<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Telephone
Coronado
A Miracle<\/h6>\n\n<\/div>\n\n
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CHARLES GOODRICH<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Turkey Vulture Talking<\/h6>\n\n<\/div>\n\n
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CAROLYN REYNOLDS MILLER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Singing Lesson<\/h6>\n\n<\/div>\n\n
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GIBBONS RUARK<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Autumn Elegy<\/h6>\n\n<\/div>\n\n
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ATHENA KILDEGAARG<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

El Higado
Mother\u2019s Prayer<\/h6>\n\n<\/div>\n\n
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JACK HEFLIN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Claryville, Missouri, Third Sundays in May<\/h6>\n\n<\/div>\n\n
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CINDY BOSLEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h6>\n\n\n\n
The Way to the Clinic<\/h6>\n\n<\/div>\n\n
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DAVID LEE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Old<\/h6>\n\n<\/div>\n\n
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STEPHANIE DICKINSON<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Corn Goddess<\/h6>\n\n<\/div>\n\n
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MICHAEL VAN WALLEGHEN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Periscope
Startled Awake Once More in the City of Dreams 
The Elephant in Winter<\/h6>\n\n<\/div>\n\n
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LESLEY DAUER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Hide and Seek<\/h6>\n\n<\/div>\n\n
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JAMES GRABILL<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

With the Jade<\/h6>\n\n<\/div>\n\n
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DENNIS SALEH<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

De Chirico, Noon of the Angels <\/h6>\n\n<\/div>\n\n
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LAURIE BLAUNDER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Gestures of the Flesh, Doctor F.\u2019s Assistant<\/h6>\n\n<\/div>\n\n
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JERRY MCGUIRE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Vampire Poet
Soh-Cah-Toa Talks Back<\/h6>\n\n<\/div>\n\n
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BERRY SILESKY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Prayer, With Kings<\/h6>\n\n<\/div>\n\n
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RICHARD HARRIS<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Breakfast Before a Slow Fire<\/h6>\n\n<\/div>\n\n
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JOHN BRADLEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Henry Ford Hospital, 1932, Frida Kahlo<\/h6>\n\n<\/div>\n\n
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KIMBALL MCKAY-BROOK<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Can I Talk?
Waking at Midnight<\/h6>\n\n<\/div>\n\n
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GORDON MASSMAN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

499<\/h6>\n\n<\/div>\n\n
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ALAN DENIRO<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

John Clare Eats an Orange  <\/h6>\n\n<\/div>\n\n
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VICTORIA WYTTENBERG<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Leaves Going To Yellow 
Letter from Somewhere in the South Pacific, 1944 <\/h6>\n\n<\/div>\n\n
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RONALD WALLACE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Calling
Thin Ice<\/h6>\n\n<\/div>\n\n
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GRETCHEN DIEMER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Static of Interrupted Voices  
Voices Scattered Across Water   <\/h6>\n\n<\/div>\n\n
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ANDREA CARTER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Clear Out<\/h6>\n\n<\/div>\n\n\n

Fiction<\/h2>\n\n\n
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J. ROBERT LENNON<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Lucite Handbag<\/h6>\n\n<\/div>\n\n
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DEBERA FAWCETT HOPPER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Italia<\/h6>\n\n<\/div>\n\n\n

Nonfiction<\/h2>\n\n\n
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ANNA COPELAND<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Lace Collar: A Memoir in Ten Parts<\/h6>\n\n<\/div>\n\n\n

Poetry in Translation<\/h2>\n\n\n
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FREDERICO GARCIA LORCA<\/strong> (translated by DAN MACLSAAC<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Pools<\/h6>\n\n<\/div>\n\n
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ALEJANDRA PIZARNIK<\/strong> (translated by STEVEN FORD BROWN<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Fragments To Dominate The Silence
Exile<\/h6>\n\n<\/div>\n\n
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P. KOBYLARZ<\/strong> (translated by MONIQUE MANOPOULOS<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

the ocularist<\/h6>\n\n<\/div>\n\n\n

Review<\/h2>\n\n\n
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JESSICA MOORE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Sincere Cafe by Leslee Becker<\/h6>\n\n<\/div>\n<\/div><\/div>\n\n
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\"Willow<\/figure>\n\n\n\n

Willow Springs<\/em> 41 features poetry, prose, and translation by Michael Van Walleghen, Louis Jenkins, J. Robert Lennon, Victoria Wyttenberg, and more, and a review by Jessica Moore.<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Order Issue 41<\/a><\/h4>\n\n\n
\n\nBuy Now!<\/a>\n\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":9086,"featured_media":1148,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wpo365_audiences":[],"wpo365_private":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-35812","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-back-issues"],"_links":{"self":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35812"}],"collection":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/users\/9086"}],"replies":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/comments?post=35812"}],"version-history":[{"count":3,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35812\/revisions"}],"predecessor-version":[{"id":39479,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35812\/revisions\/39479"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media\/1148"}],"wp:attachment":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media?parent=35812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/categories?post=35812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/tags?post=35812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}