{"id":3218,"date":"2022-02-03T09:50:04","date_gmt":"2022-02-03T17:50:04","guid":{"rendered":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/?p=3218"},"modified":"2024-12-11T11:34:46","modified_gmt":"2024-12-11T19:34:46","slug":"four-black-poplars-by-octavio-paz","status":"publish","type":"post","link":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/four-black-poplars-by-octavio-paz\/","title":{"rendered":"&#8220;Four Black Poplars by Octavio Paz"},"content":{"rendered":"<div class=\"gb-container gb-container-edfd9c65\">\n<div class=\"gb-grid-wrapper gb-grid-wrapper-758dd595\">\n<div class=\"gb-grid-column gb-grid-column-9aa8b6c5\"><div class=\"gb-container gb-container-9aa8b6c5\">\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-content\/uploads\/sites\/332\/2021\/08\/issue13.jpg\" alt=\"issue13\" title=\"issue13\"\/><\/figure>\n\n\n\n<p class=\"gb-headline gb-headline-9744b4d8 gb-headline-text\"><strong>Found in\u00a0<a href=\"https:\/\/inside.ewu.edu\/willowspringsmagazine\/willow-springs-13\/\"><em>Willow Springs 13<\/em><\/a><\/strong><\/p>\n\n\n\n<p class=\"gb-headline gb-headline-671985e9 gb-headline-text\"><strong>Back to <a href=\"https:\/\/inside.ewu.edu\/willowspringsmagazine\/octavio-paz\/\">Author Profile<\/a><\/strong><\/p>\n\n<\/div><\/div>\n\n<div class=\"gb-grid-column gb-grid-column-71db3465\"><div class=\"gb-container gb-container-71db3465\">\n\n<h1 class=\"gb-headline gb-headline-9e54f922 gb-headline-text\">&#8220;Four Black Poplars by Octavio Paz<\/h1>\n\n\n\n<p>As this line follows after itself<br> through the horizontal boundaries pursuing it<br> and, eternal fugitive, in the declining west<br> in which it seeks itself it dissipates<br> &#8211; as this same line<br> through its raised glance<br> turns all its letters<br> a diaphonous column<br> resolved as one untouched<br> unheard untasted but meditated<br> flower of vowels and consonants<br> -as this line that will not finish writing itself<br> and before devouring itself draws itself up<br> without ceasing to flow but always upward:<br> the four black poplars. Aspiring<br> for the empty heights and there below<br> in the sky choked with water, duplicated,<br> the four are a single black poplar<br> and are none. Beyond, fronds in flames<br> that extinguish themselves&#8211;the evening adrift\u00ad&#8211;<br> other black poplars now spectral tatters<br> undulate endlessly<br> endlessly immobile.<br> The yellow slips into rose,<br> the night twists itself into violet.<br> Between sky and water<br> &#8211; herbaceous calligraphy<br> traced over coals by the blowing wind-<br> is a blue and green fringe: earth.<br> It is one reflection hung within another.<br> Transitions: the winking eyes of the instant.<br> Each thing is its double, its phantasm;<br> the world disincorporates,<br> it is an apparition, it is four black poplars,<br> four violet melodies.<br> Fragile branches rise up from their trunks.<br> They are a bit of light and a bit of wind.<br> Immobile mooring-lines. With my eyes<br> I hear them murmur words of air.<br> Silence goes with the stream,<br> returns with the sky. What I see is real:<br> four weightless black poplars<br> planted over a vortex.<br> A fixity that rushes<br> downward, upward,<br> toward the water of the sky of the pool<br> in a graceful toil that has no end<br> while the world weighs anchor in darkness.<br> Pulse of final clarities:<br> fifteen minutes under a siege<br> that Claude Monet observes from a rowboat. The sky is destroyed in the water,<br> the water negates itself in itself,<br> the black poplar is an explosion in violet:<br> the world is not solid.<br> Between being and non-being the grasses waver,<br> the elements soften,<br> the contours darken,<br> aspects, reflections, reverberations,<br> sparkling of forms and presences,<br> fog of images, occultations,<br> I see what we are: hallucinations .<\/p>\n\n<\/div><\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":25234,"featured_media":975,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wpo365_audiences":[],"wpo365_private":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-3218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-work"],"_links":{"self":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/3218"}],"collection":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/users\/25234"}],"replies":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/comments?post=3218"}],"version-history":[{"count":3,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/3218\/revisions"}],"predecessor-version":[{"id":37567,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/3218\/revisions\/37567"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media\/975"}],"wp:attachment":[{"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media?parent=3218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/categories?post=3218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/tags?post=3218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}